Showing posts with label dance. Show all posts
Showing posts with label dance. Show all posts

30 January 2018

RIGHT ON! returns - Saturday 17th February, 2018

RIGHT ON! @ Hanway Social - Saturday 17th February

After more than 10 years' absence, London's much-missed vintage black music club night returns next month for a one-off 15th anniversary dance. Back in the West End where it all started, the night's new venue is an authentic old-school basement club with late-night bar and separate dancefloor. Expect nothing but the best vintage sounds from the all-star DJ line-up, which features some of the UK's top selectors:

JEAN-PAUL SÉCULAIRE (Right On!),
MARK NORTON (Gene Drayton Unit / The Fantastics),
TEXAS RANGER (Unique Radio / Trojan Explosion / Heritage Inn),
NATTY BO (Gaz's Rockin' Blues / Ska Cubano / Top Cats),
and the mighty GLADDY WAX (Notting Hill Carnival / Wax Unlimited).

DOORS: 9pm - 2am
ADMISSION: £10
VENUE: Hanway Social (basement)
ADDRESS: 20 Hanway Street, London, W1T 1UG
NEAREST TUBE: Tottenham Court Road

For more information visit www.right-on.org

26 September 2013

Gilles Peterson & Patrick Forge at Dingwalls - Sunday 24th November 2013


Gilles Peterson and Patrick Forge return to Dingwalls on 24th November for their annual Talkin' Loud & Sayin' Something Sunday Afternoon jazz dance reunion. Tickets go on sale from 9am on Monday 30th September. The advice is to buy as soon as possible as tickets quickly sell out in advance.

For tickets and more details visit:
http://www.dingwalls.com/listings/events/24-nov-13-another-sunday-afternoon-at-dingwalls-dingwalls/

13 October 2012

Gilles Peterson at Shiftless Shuffle - Sunday 21 October 2012

Message from the JazzCotech Dancers...

We have done it again! Shiftless Shuffle on Sunday 21st October at East Village features a one-off and exclusive collaboration of 3 of the most legendary DJs on the UK Jazz Dance scene: Gilles Peterson, Colin Parnell & Boo, famed for their respective sessions at Horseshoe, Electric Ballroom and of course Dingwalls. This is the first ever time they are united behind the decks and because of this, we have extended the session to run from 2pm until 8pm.

Shiftless Shuffle, now in its 12th year, is the brainchild of Perry Louis, founder of JazzCotech Dancers. The afternoon starts at 2pm with a 1 hour class in the specialist Street-Fusion Jazz Dance style From Funk to Fusion, taught only by JazzCotech. The class is open to Novices and experienced Dancers alike, providing the opportunity to learn from the masters themselves, including all of the rhythmical, intricate footwork and so-called drop moves that are iconic and exclusive to this style. The ensuing club session has people flocking to it from all corners of the UK, including some of the best and original Jazz Dancers the UK has to offer.

Billed as “the coolest thing to do in London on a Sunday” by Time Out, Shiftless Shuffle is THE place to hang out so why not join us to strut your stuff, take in the incredible music, or simply kick back with a drink or two and enjoy watching the many Dancers do their thing.

Shiftless Shuffle, Sunday 21st October @ East Village (Basement) 89 Gt Eastern Street. London EC2A 3HX. Old St / Liverpool St Tube/BR. Class at 2pm; Club Session 3pm - 8pm. £8:00

Hope to see many of you there!
JazzCotech Dancers
www.jazzcotech.com


08 September 2012

London's best vintage club nights

As promised, I've now added a page listing my favourite vintage music club nights. I've also uploaded all of the remaining content from the old site, and reorganised it slightly. Hope you find the new website useful and easy to navigate!

05 September 2012

Right On! - new vintage black music website launched

Well, I mentioned in my last post that I've been busy working on a number of projects. One of these I can now reveal  a brand new website for Right On! promotions to celebrate 10 years in the business (how time flies!)

Although I have plans to add more content, the bulk of the site is now finished and live on the web, including lots of different genres of music you can listen to. So, if you like vintage black music, be sure to check it out and join the mailing list!

www.right-on.org

19 October 2011

SOAS World Music Stage at the Bloomsbury Festival

photograph of HarareThe Bloomsbury Festival comes to town this weekend, from Friday to Sunday, featuring a plethora of free events, covering music, dance, poetry and art.

For me, the highlight has to be the SOAS World Music Stage, which takes place in Russell Square from Noon on both Saturday 22nd October and Sunday 23rd October.

This two-day programme of free music from around the world has been selected by specialists at the School of Oriental and African Studies (SOAS) Music Department. Africa, Asia, Latin America and Europe are all represented by bands including: Laye Sow (Senegal), Ayarkhaan (Sakha/Siberia), Amira Kheir (Sudan), Shavnabada (Georgia), Rún (Celtic music), Harare (Zimbabwe) - and many more.

The line-up sounds very interesting, though I must admit I'm not personally familiar with any of the bands apart from Harare, who I can heartily recommend. They are scheduled to play at 6.15pm on Saturday and I would go so far as to say the event is worth attending for them alone.

For full details, visit: http://www.bloomsburyfestival.org.uk/event/id/185

11 October 2011

Ghetto Lounge events - October / November

Saturday 15th October
Fela Kuti Birthday Tribute
@ The Jazz Cafe


This night will feature the Dele Sosimi Afrobeat Orchestra who promise to perform "carefully re-orchestrated Fela favourites/classics". Their selection from Fela's repertoire aims to mark the changes and development in his music through the decades — from Koola Lobitos (highlife, jazz) through to Africa 70 (Afro funk) and Egypt 80 (Afro big-band sound, with longer, more intricate pieces). There will also be guest musicians on the night, paying their respects to Fela, plus DJ Koichi Sakai (Afrobeat Vibration) on the decks playing "memorable Afrobeat anthems".

The Jazz Cafe, 5 Parkway, Camden Town, London, NW1 7PG
Doors: 7pm - 11pm
Admission: £17.50 advance, £22 on the door
Tickets: http://www.ticketmaster.co.uk/event/1f004658c1a9681e?camefrom=cfc_uk_mama_jazzcafe&brand=jazz_cafe

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Friday 11th November
Anthony Joseph album launch
@ The New Empowering Church


Inspired by some lines from the surrealist poet Ted Joans, "Rubber Orchestras" is Anthony Jospeh's third album with his Spasm Band. It has been produced by drummer and leader of The Heliocentrics, Malcolm Catto, and includes one track arranged and produced by 2 Tone legend Jerry Dammers (The Specials).

The opening words on the new album "The griot is the sound of universal culture" are key to understanding the universe of Anthony Joseph. Born in Trinidad but London-based for many years, Joseph has carved out a successful career writing and teaching poetry, as well as recording and performing with his band. His vocal influences include: Jimi Hendrix, Benjamin Zephaniah, Fela Kuti, Sly Stone and Gil Scott-Heron.

The new album, "Rubber Orchestras" (Heavenly Sweetness/Naïve) was released this month, and it will be followed by a new poetry collection of the same name in November by Salt Publishing.

Support on the 11th November comes from the Jon Speedy Band and DJs Jerry Dammers and Koichi Sakai.

The New Empowering Church, 1a Westgate Street, London, E8 3RL
Doors: 9pm - 3am
Admission: £7 advance, £10 on the door
Tickets: http://www.residentadvisor.net/event.aspx?295428

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Saturday 26th November
Afrobeat Vibration 3rd Anniversary special
@ The New Empowering Church


Saturday 26th November is Afrobeat Vibration's final installment of 2011 and its 3rd Anniversary. As always, the Dele Sosimi Afrobeat Orchestra will be playing authentic Afrobeat including Fela's classic tunes as well as original compositions. DJ support comes from Koichi Sakai.

The "Music is the Weapon" documentary film will be screened from 9pm-10pm and there will also be contests for the best Afrobeat dancer and best Kalakuta dresser as well as a Nigerian meal after the show.

The New Empowering Church, 1a Westgate Street, London, E8 3RL
Doors: 9pm - late
Admission: £7 before 10pm, £10 thereafter

19 May 2011

Shiftless Shuffle 10th Anniversary - 19 June

Shiftless Shuffle, London's amazing jazz dance club session, celebrates its 10th Anniversary on Sunday 19th June.

Although this is a celebration, it will also sadly be the last one for a while as the club has to leave its present venue. So make sure you don't miss this one and help give the session the send-off it deserves. DJs for the night are: Perry Louis, Nick Hosier, Simon Mansell and Seymour Nurse.

Shiftless Shuffle 10th Anniversary Party
@ The O Bar (basement), 83-85 Wardour Street, Soho, W1D 6QE
5pm – 10.30pm (No dance class)
£6 before 6pm, £8 after


For more information visit www.jazzcotech.com/whatson.htm

18 October 2010

Win an all-expenses-paid night out in London!

Jean-Paul SéculaireCOMPETITION:

Win an all-expenses-paid night out in London with man about town, Jean-Paul Séculaire!

One lucky reader will win the opportunity to accompany Jean-Paul to some of London's top night spots on Saturday 30th October, as he takes you out for a night to remember.

Dinner, drinks, burlesque show, dancing and coffee are all included in this unique and exclusive prize. You will meet at 8pm for an apéritif and be escorted all night until early the following morning by one of London's last old-fashioned gentlemen.

All you have to do is write in to info@londondossier.com with a little about yourself and the reason you would like to win this prize. The most enticing entry received by midnight on the night of Sunday 24th October shall win. The winner will be notified by email on Tuesday 26th October.

Good luck!


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RULES:

1) There is no alternative to this prize, cash or otherwise, so the winner must be available to meet in Central London on Saturday 30th October at 8pm.
2) If the winner is unable to take up the prize for any reason, or if Jean-Paul has not been able, after making reasonable efforts, to make contact with the winner, Jean-Paul reserves the right to award the prize to an alternative winner, in which case the first winner chosen shall not be eligible for any share of the prize whatsoever. Jean-Paul shall not have any liability in such eventuality.
3) Only the winner will be contacted. Applicants who have not heard back by the end of Tuesday 26th October have unfortunately not been successful.
4) Travel expenses to and from Central London are not included in the prize.
5) Dinner will consist of a two course meal with wine or soft drink.
6) Alcoholic and/or soft drinks and tea/coffee will be provided in moderation at Jean-Paul's sole discretion.
7) Some venues operate a smart dress code, so the winner must be dressed appropriately. Sportswear is not permissible.
8) You agree that Jean-Paul may cancel the competition and/or prize at any time (e.g. due to illness). Jean-Paul shall not have any liability in such eventuality.
9) Applicants must be aged 18 or over.
10) The winner must carry proof of identity and proof of age with them on Saturday 30th October.
11) The competition is not open to members of Jean-Paul's family. Friends/acquaintances of Jean-Paul may enter, but their entries will not be given any preferential treatment.
12) Jean-Paul's decision on all matters relating to the competition is final.
13) Jean-Paul shall have no liability for any loss, damage or injury that may occur to the winner during the night out.

14 September 2010

Bande À Part club night - Sat 2nd Oct

I'm really pleased to be DJing at the Bande À Part club night on Saturday 2nd October.

This is a fantastic session with a music policy not dissimilar to my Right On! club. Expect some great jukejoint sounds from the 1950s and 1960s aimed at the dancefloor. Think rhythm & blues, black rock 'n' roll, soul, ska, reggae, calypso, mento and Afro-Latin rhythms. I'll be joining resident DJs Cousin Benson and Vinyl Warrior on the decks to showcase some of my latest vinyl finds alongside some old Right On! favourites.

Located just off the main Shoreditch strip of Old Street, The Troy Bar is a cosy, one-floor venue with a great layout. Booths offer tucked-away seating and the bar area is separate from the wooden dancefloor, allowing dancers space to shake a leg. This is a session not to be missed!

Bande À Part @ The Troy Bar
10 Hoxton Street, London, N1 6NG. (020) 7739 6695‎
8pm - 3am
FREE before 10.30pm, then £3


To find out more about the club check out: www.myspace.com/bandeapartlondon

28 August 2010

Notting Hill Carnival 2010

Well Carnival is almost upon us once again and it looks like we may even have some sunshine (fingers crossed!)

As they do every year, Time Out London magazine have produced a map of the area showing all the sound systems.

You can view this printable map (without key) online here:

www.timeout.com/img/london/features/2010-Notting-Hill-map.jpg

They have also produced an online Google Map (with key), which may or may not be more useful. Check it out here:

www.google.com/maps/ms?ie=UTF8&hl=en&msa=0&msid=110377225760210522619.00048d9d83dc70d1cf877&ll=51.520867,-0.206337&spn=0.018692,0.04077&z=14

The three must-visit sound systems are:

9 - Gaz's Rockin' Blues
Gaz Mayall has the most colourful sound in town. This year's theme is the Roaring Twenties, featuring a guest set from legendary sound man Duke Vin.

11 - The Gladdy Wax Roadshow
Veteran soundsystem operator Gladdy Wax and guests play old reggae, ska and rocksteady.

20 - The Latin Rave Street Jam
Carnival's only all-Latin soundsystem mixes the new sounds with some fantastic vintage salsa, Latin jazz and mambo.

27 August 2009

Carnival time!

Girl dancing at Notting Hill Carnival 2008Well, the Bank Holiday weekend is nearly upon us, which means only one thing: Carnival! Nothing beats dancing to great music out on the streets in the sunshine (fingers crossed!) in the company of thousands of other like-minded revellers.

The Notting Hill Carnival means a lot of different things to a lot of different people, but to me it's mostly about the sound systems. Fortunately, despite the parade being given earlier start and finish times this year, the static sound sytems will be playing from noon till 7pm on both Sunday and Monday, just like last year (though I still feel that's way too early to have to stop the music and dancing).

The two must-visit sounds are The Gladdy Wax Road Show, which plays 60s ska through to 70s reggae, and Gaz's Rockin' Blues, which plays mento, calypso, ska, rocksteady, early reggae, soul and rhythm & blues. Gaz's sound system is always the biggest and most exciting-looking too (in fact he's deservedly won the "best-dressed sound" prize a number of times over the years) and each year he picks a different theme for it.

If roots reggae is more your thing though, you probably want to check out Channel One, Aba Shanti-I and Jah Observer.

The other sound system I enjoy is The Latin Rave Street Jam, which is the only sound playing pure Latin and Salsa on both Sunday and Monday. Fortunately, this is situated right next to Gladdy Wax, so it's easy to flit between the two (and there are public toilets nearby too - a fact well worth bearing in mind).

The Gladdy Wax Road Show is located adjacent to 304/306 Portobello Road, near the corner of Golbourne Road.

Gaz's Rockin' Blues is located outside 103 Talbot Road, near the corner of Ledbury Road.

The Latin Rave Street Jam is located outside 318 Portobello Road, right by the corner of Golbourne Road.

If coming by tube, Westbourne Park (assuming it's open) is the best station to use to get to these sound systems. Be aware that there can be tube station closures throughout the weekend though, due to overcrowding.

With the huge crowds making it difficult to move around, it can be hard to find particular floats or bands amongst the parade, but if like me you're also a fan of samba, be sure to look out for The London School Of Samba who will be celebrating 25 years at the Notting Hill Carnival this year, with the theme of their parade being "A History Of Samba". There's something very special about the sound of a Brazilian bateria parading down the street (not to mention all that sexy dancing). To find out more, visit: www.londonschoolofsamba.co.uk/public/default.asp

And finally of course, I mustn't forget the steel pan bands, which are, after all, fundamental to the roots of carnival. You will find around a dozen different pan bands playing along the parade. But with all the mobile sound systems playing on the same route, it can be difficult to find and listen to the steel bands. So, if you're a real fan of steel pan and calypso, make sure you head down to The National Panorama Championship in Hyde Park tomorrow (29th August). This takes place near Speakers Corner from noon until 9pm (the main competition starts at 4pm) and is the offical opening of the Carnival weekend. Here, you will get to hear all the different bands playing at their best, as they vie to be crowned champion.

For more on the Notting Hill Carnival, including maps and travel information, visit:
www.rbkc.gov.uk/leisureandlibraries/events/nottinghillcarnival.aspx

18 May 2009

Havana Rakatan @ Sadler's Wells Peacock Theatre

Havana Rakatan has returned to Sadler's Wells Peacock Theatre for its third year. With a press release that promises "Mambo, jazz, bolero, son, cha-cha-cha, rumba and salsa all come alive in a dazzling dance display of Cuban passion [...] Havana Rakatan is a captivating journey through the dance and music of a truly unique country", it was with high hopes that I set off to see the show for the first time.

I must admit I envisaged Havana Rakatan being something of a Cuban "Brasil Brasileiro". This was an incredible show that ran at the main Sadler's Wells theatre in 2006. Given that it was one of the greatest music and dance spectacles I've ever been fortunate enough to experience, it may be that my expectations were a little too high. Frankly however, Havana Rakatan was just not in the same league.

Another mistake I made was to expect an array of authentic Afro-Cuban dance forms. In fact it became clear from the outset that this is not the case. The dances fuse traditional Cuban styles with elements of contemporary, ballet and street, to varying degrees of success.

The show's opening scene was particularly weak. This could have been an opportunity to really show off and get the audience excited, but instead I found it uninspiring and lacklustre. I think the idea was to "transport" the audience to Havana before going back in time to examine the roots of Afro-Cuban music and dance, but I feel the show would have benefited from skipping this scene entirely.

The second scene is titled "Afro-Flamenco" and for me contained one of the best dances of the entire show: an excellent solo Flamenco from Maria Mercedes Perez Rodriguez. What then follows is an examination, through dance, of the historical melding of the African and Spanish cultures. Though a challenging concept to choreograph, I felt this scene had a lot of potential. Unfortunately it was not adequately realised and I found parts of it rather clumsy.

After this, things went further downhill and I was left sadly disappointed by most of the first act. There was frequently too much going on and the show didn't seem able to make up its mind as to whether it was a serious dance piece or a humourous musical drama complete with multiple props. I have no problem with a fusion of styles in principle, but in this case it just didn't work. At best it came across as slightly messy and at worse quite cheesy. There was even a momentary diversion into Chippendales territory (I couldn't help but think the dancing and costume should have been sexy enough to make a gimmick like this redundant).

Fortunately the second act is stronger and far more enjoyable. It disposes altogether of any pretensions at musical theatre (props and all), shifting focus almost entirely to the dancing itself. However, even this act was not consistent enough for my liking and it becomes increasingly evident throughout that some of the dancers are far better than others.

All of the music in the show is played live by a group called Turquino. Instrumentally, this group are top-notch, though vocally I was not so impressed. The best of the singers was Geydi Chapman who I found far more soulful that her male counterparts. It also struck me as a mistake to have the singers come front stage at times as it becomes obvious they are no dancers.

The material itself was generally good though, with only the performance of "Guantanamera" (unaccompanied by dance) coming across as unnecessary cliché.

Musically, the real highlights were instrumental versions of "Babara Batiri" and "Manteca"; both played superbly. "Babara Batiri" was actually one of the show's highest points as it also featured some fantastic dancing well-suited to the music. Unfortunately the same can't be said of "Manteca", which I feel was a wasted opportunity. Although the dancing itself wasn't bad, it just did not fit in with the music. Another example of poor choreography.

It isn't only the choreography that lets the show down though. I frequently found the synchronised group dances just not tight enough, giving the impression of too little rehearsal. At times, some of the dancers' mannerisms spoiled otherwise good performances. The fact that some of the costumes left wanting also did not help proceedings.

In conclusion, the show contained some interesting ideas, some excellent music and some exciting dancing, but there was too much filler and not enough of the good stuff. In fact, the programme which provides a short history of Cuban dance alongside some wonderful vintage images, was almost more inspiring than the show itself.

Havana Rakatan runs until 23rd May. For details visit: www.sadlerswells.com/show/Havana-Rakatan-09